Archive for the ‘Them’ Category

Freddy Cannon / Where The Action Is

Thursday, August 20th, 2009

freddycannonaction, Freddy Cannon, Where The Action Is, Dick Clark, American Bandstand

Listen: Where The Action Is / Freddy Cannon FreddyCannonAction.mp3

Let’s face it. The theme song to ABC’s syndicated daily pop show, WHERE THE ACTION IS, titled ‘Action’ by Freddy Cannon, was so good, even The Ramones could have covered it.

I lived for WHERE THE ACTION IS and saw many a great act each day after school. Our local Syracuse affiliate, WSYR-TV, was wishy-washy, and many times pre-empted it with other things. Looking over the complete, chronological list of episodes and guests, I’ve only just discovered missing Pinkerton’s Assorted Colours, The Action and Dave Dee Dozy Beaky Mick & Tich for just that reason. Indeed, I’m a bit crushed having now discovered these atrocities. Scumbags.

But seeing an LA centric act almost daily, given they were basically down the street from the studios, must have been daily bliss. To name a few: The Guillteens, The Ikettes with and without Ike & Tina Turner, The Vejtables, The Leaves, The Seeds, Gary & The Hornets, Love, Dino Desi & Billy, The Buffalo Springfield, Jan & Dean.

Not to mention the RnB stuff: Martha & The Vandellas, Doris Troy, The Royalettes, Mary Wells, Brenda Holloway, The Toys, Maxine Brown, Kim Weston, Carla Thomas, Billy Stewart, Bobby Hebb, Alvin Cash & The Crawlers or Felice Taylor. I still replay The Vibrations doing ‘My Girl Sloopy’ vividly in my memory.

Then there were the black and white segments from England, a real high for we Anglophiles: The Small Faces, Gary Farr & The T-Bones, Them, The Mindbenders, The Zombies, The Moody Blues, The Kinks, Unit 4 + 2, The Who, Wayne Fontana, Marianne Faithfull, The Yardbirds and The Cryin’ Shames.

The Ikettes

Wednesday, July 8th, 2009

ikettesimblueuka, ikettes, ike & tina Turner, london, atco, modern, stateside, polydor

Listen: I’m Blue / The IkettesIkettesBlue.mp3

All the behind the scenes drama, politics, tension and sleeze associated with Ike & Tina Turner is an endless source of stimulation for this voyeur. Get hold of every last cd booklet accompanying their reissues, and especially the box sets (the Time/Life one is hugely advised) and study. The countless sessions and musical chairs will never really be figured out, but when this bunch was on – they were truly on. Whether as an after thought, or a genius parallel business model, The Ikettes were the bomb. ‘I’m Blue’ premiered them to vinyl and was probably an unexpected hit. The first of many sizzling, gutteral vocal performances – you could always depend on an Ikettes single.

ikettespeachesuka,  ikettes, ike & tina Turner, london, atco, modern, stateside, polydor

Listen: Peaches & Cream / The Ikettes IkettesPeaches.mp3

‘Peaches & Cream’ sounded fantastic on AM radio in ’65, and I was well excited to see that summer’s Dick Clark Caravan Of Stars make a Syracuse stop. The Ikettes took the stage in silk fringed orange mini dresses and gyrated though four numbers including this one. Being afforded the benefit of headliner Tom Jones’ full brass back up band transformed it into a crazy wild Soul revue. Not surprisingly, these weren’t The Ikettes at all, at least not the ones on record. Still through Ike’s revolving door it seems everyone was an Ikette for a minute, so who’s complaining. Considering they followed Them on stage after ‘Here Comes The Night’, ‘Call My Name’ and a rousing ‘Gloria’, and upped the stakes is proof of their power.

ikettesthankfuluka,  ikettes, ike & tina Turner, london, atco, modern, stateside, polydor

Listen: I’m So Thankful / The Ikettes IkettesThankful.mp3

Like The Flirtations’ ‘Nothing But A Heartache, ‘I’m So Thankful’ is one of the great Motown records that was never on Motown. You’d swear it was recorded right there on Grand Blvd.

Don Covay & The Goodtimers

Friday, June 12th, 2009

doncovaymercyuka, don covay, atlantic, the rolling stones

doncovaymercyukre, don covay, atlantic

Listen: Mercy, Mercy / Don Covay & The Goodtimers DonCovayMercy.mp3

I woke up one day realizing albums by The Rolling Stones serve as introductory encyclopedias for figuring out the best American RnB and Blues originals. I felt really behind the curve at that moment, but considering it was still 1969, I caught up ok. The band, or someone in their camp, had impecable taste when picking this stuff. I still read the occassional story of their early visits to the US, whereby they’d all flock to now infamous record shops in Harlem or East LA just to buy all the black releases. Man, those stores must have been amazing. And where are all those records now? There were plenty of those original US pressings amongst the Tony King collection…..

Don Covay entered my world via OUT OF OUR HEADS. The Rolling Stones started side one of the US version with ‘Mercy, Mercy’. OUT OF OUR HEADS was their fourth and final US album to pressed initially (first run only) in the UK, then exported to the US and sleeved here. Just recently have collectors been alerted to this detail, but for years I was buying up those UK copies at garage sales for $1. They are particularly easy to spot. The font is obviously different than US London labels, but they’re also deep groove, and they indicate ‘Made In England’. Quite helpful. A few other London releases during the era (’64 – ’66) were intially pressed in the UK as well: Marianne Faithfull, Tom Jones and Them.

When I worked at Island in the late 80′s, Chris Blackwell signed Don Covay, who came by regularly to see Holly Furgeson and her office was next to mine. She did the A&R admin, and Don Covay handled all his own business. I remember him working diligently on the project only to have it shelved, a bad habit Island always had.

I was well pleased to find not only the original DJ copy of ‘Mercy, Mercy’ amogst Tony’s records, but a very nice UK reissue as well, both pictured above.

The Only Ones

Tuesday, January 6th, 2009

Out There In The Night / The Only Ones

Listen: Out There In The Night / The Only Ones OnlyOnesOutThereInTheNight.mp3

Trouble In The World / The Only Ones

Listen: Trouble In The World / The Only Ones OnlyOnesTrouble.mp3

I’m a sucker for an atonal vocalist. So The Only Ones’ Peter Perrett is right up my alley. These two singles are by far my favorites from the boys. Never did get to see them, some arrest nonsense cut their US tour short, the one whereby they were playing my town. Hence not much to say about them, except I still love these records. Oh, hold on, the sleeve pictured for ‘Trouble In The World’ was sent along, at the time, by Howard Thompson. He A&R’d the band, by assignment as opposed to choice. He doesn’t reflect fondly on it all. Whether by coincidence or design, ‘Trouble In The World’ echoes Mott The Hoople, with it’s Sue & Sunny background female vocals. Seems like an HT influence to me.

For reasons unknown, the sleeve was scrapped allowing or forcing the record to be issued in a stock CBS bag. The label was quite good at making pitiful judgement calls when it came to picture sleeves. Unlike in the US, picture sleeves were quite uncommon in England until punk. So what did CBS do? They released a bunch of punk singles without them. Although the corporate waste exponentially accelerated by the time I was employed by Columbia in 1995, it seems seeds were planted decades before. Hey, let’s actually manufacture the sleeves then destroy them, why cancel it in the pre-production phase? Kill another tree. No problem.

But the records speak for themselves. Great stuff. And although spelled differently, you have to admit Peter Perrett was pretty hip to choose, for his surname, that of the great US label, Parrot, which included Them, The Zombies, Los Bravos, Lulu & The Luvvers and Pinkerton’s Assorted Colours amongst it’s roster.

Dave Dee, Dozy, Beaky, Mick & Tich

Sunday, December 28th, 2008

Zabadak / Dave Dee, Dozy, Beaky, Mick & Tich

Listen: Zabadak / Dave Dee, Dozy, Beaky, Mick & Tich
Zabadak

Last year around this time, Bob Lefsetz, who publishes a fascinating subscription letter you should all Google and sign up for, wrote about hearing The Box Tops during Christmas break in Vermont, ’67. It was a nice piece, time traveling me back to that Christmas/New Year’s week, growing up outside of Syracuse, a ten year old obsessed with records. I wrote him a response with much of the following, but don’t know if he ever read it. He never responded.

Everything happens for a reason. It motivated me to start my own blog, so all good.

Basically, I still like the winter weather as it reminds of that week off school as a kid. Everyone wants to escape it here in NY nowadays but I love staying home, hanging around the deserted city, having friends over especially if they bring Christmas cookies, keeping the fireplace going and hoping for snow.

Growing up near Syracuse was pretty drab but we had one remarkable perk: a Top 40 station, WOLF, that from ’64 – ’67 seemed to flawlessly play the good bits of BILLBOARD’s chart alongside national non-hits, most of them British, and many rightfully considered classics today, including several US flops each by The Who, Them, The Move, The Zombies, The Kinks, The Moody Blues, Unit 4 + 2, The Hullaballoos, The Pretty Things and Manfred Mann.

So I’d spend that whole week glued to the radio, crawling the record shops and record departments at W.T. Grants and Woolworths, collecting chart handouts, asking for discarded Billboard magazines and stocking up on deletions.

One of the UK bands whose label, Fontana, didn’t or couldn’t put the needed payola cash behind them on a national level, actually had hits upstate: Dave Dee, Dozy, Beaky, Mick & Tich. Some consider them too pop, or zany, but I just loved their image of paisley pants with flowered shirts and their music.

KHJ chart 1-24-68

Eventually, they switched US labels in late ’67, to Imperial, who made a big attempt at breaking them here and almost did. ‘Zabadak’ got a lot of play, charted in many markets and got great reaction. KHJ in Los Angeles took it Top 10. (See chart above). Both my local Top 40′s were spinning it, and even the adult contemporary one.

I was feeling liberated. Finally Dave Dee, Dozy, Beaky, Mick & Tich were having a hit, and The Small Faces too, ‘Itchycoo Park’ was doing equally well. US radio was about to be on pulse. I didn’t need to find a way to live in England after all.

Then thud. ‘Zabadak’ stalls at #52 on BILLBOARD’s Hot 100 (above). Seems it’s been all down hill ever since.

December 28th: it’s been 41 years today, the receipt is still in the sleeve, that I bought ‘Zabadak’ at Walt’s Records on Salina Street, doing my part. It’s a fantastic single. All jungle drums with haunting strings and chants. Sounded stunning on the radio then, like nothing else. A lot of stations played it for a few weeks. The kind of record that zaps me right back, hence I always remember the date and I’ll always remember that great record shop.

I can easily visualize the decor and it’s unique record shop smell. I wanted everything in the place, still do. One whole wall was lined with brackets that held 25+ copies of a single, where all the biggest sellers made it. But the obscure records, many of the ones I mentioned, would reside in the back on a four sided carousel that swirled, and had slot like pockets, each able to hold ten or so copies of a single. I would go straight to that unit every visit which was usually once or twice a month, having to decide which two or three singles I could afford on my dollar per week allowance. Some of the ones I had to pass up took me years to locate: The Small Faces ‘All Or Nothing’ with the picture sleeve and The Riot Squad ‘How Is It Done’ come to mind. But there were many I did get like Them ‘Richard Corey’, The Yardbirds ‘Goodnight Sweet Josephine’ and The Herd ‘From The Underworld’.

On December 28, 1967 I tore to that rack and there it was. ‘Zabadak’. My Aunt Nancy, a grand lady, had brought me shopping and kindly paid as a Christmas treat, thereby allowing me to spend my dollar allowance on Inez & Charlie Foxx’s ‘(!-2-3-4-5-6-7) Count The Days’. We went on to visit another relative that afternoon where I was tortured, staring at these jems, jonesing to get home and play them as they did not own a record player.

Now I’m convinced Hot Chip could do a killer remake of ‘Zabadak’.

Oh and one other tid bit about Walt’s. I ran there to buy Traffic’s ‘Hole In My Shoe’ the day after seeing them at Syracuse University’s Jabberwocky Club on their first tour. As I walked in, out came Traffic, with loads of soul and jazz albums. They patiently waited as I bought the single then signed it’s picture sleeve.